傲慢与偏见英文解析范文第1篇
简·奥斯汀常被二十世纪的文学评论家们和文学史家们誉为真正伟大的英国小说家，因为她使英国小说更臻完美，因此她的小说是最具经典意义的小说。难怪爱尔兰文学家、著名作家和文学评论家弗兰克·奥康瑙尔说：“我认为简·奥斯汀是最伟大的小说家。绝对是最伟大的!”他还认为奥斯汀是“英国文学最伟大的技巧巨匠之一，她在文学方面炉火纯青就像莫扎特在音乐方面完美无缺一样。”其实，奥斯汀之所以成为十九世纪最杰出的小说家之一，不仅只是因为她小说天衣无缝的结构和精湛精确的刻画技巧，而且也是因为她的小说有着深刻丰富的思想内容和在英国文学史上的开创性意义。正如英国文学评论家W.F.波洛克所说， “她向小说家们表明并且开发了无处不在的日常生活表面现象下的取之不尽用之不竭的宝藏”，因此，“所有后来的小说家们都无限感激奥斯汀小姐。”奥斯汀所著六部小说，在近一百八十年里，不仅成为世界学者专家研究的热门课题，好评如潮，而且也是一代代各国读者争相传读的经典名著，经久不衰。尤其是她的代表作《傲慢与偏见》，不仅是英国文苑的奇葩，也是世界文库的珍品，被英国著名小说家和戏剧家毛姆列为世界十大小说经典名著之一。
简·奥斯汀出生在英国南部汉普郡一个乡村牧师家里，未进过正规学校，在家里由父母指导学习，终身未婚，四十二岁时与世长辞。奥斯汀十二三岁时就开始创作故事、戏剧和小小说。一七九五年她开始写作《埃莉诺与马里纳》，这就是她后来发表的第一部小说《理智与感情》的雏形。一年以后，一七九六年她开始创作《初次印象》。一七九七年《初次印象》完成后，未能出版。这部小说后经作者修改更名为《傲慢与偏见》，于一八一三年一月在伦敦问世，这是她发表的第二部小说。奥斯汀生长在十八世纪末十九世纪初封建保守势力相当强大的英国乡村。在这样的时代中，妇女只能在其所生长的阶层的圈子中生活，社会习俗禁止她们在社会的任何其他领域里活动。奥斯汀出身英国乡村的中产阶级家庭，与之交往的都是乡间那些乡绅贵族的绅士淑女，生活圈子自然十分狭小。奥斯汀就在这样狭小的天地里观察、研究和创作。虽说：“在乡下一带地方，你是在一个非常狭小而又一成不变的社会里活动。”“乡下能为这样的研究提供的对象一般是很少的。”“可是人本身是经常不断变化的，在他们身上永远都可以观察到一些新的东西。”奥斯汀就以她特有的敏锐洞察力观察着她所处的社会和她身边的人与事，研究各种人的性格及其变化。在这样的观察研究中，奥斯汀最关注的是妇女的命运。在奥斯汀所处的当时社会里，一般妇女除了当老处女和家庭教师外，别的惟一出路就是嫁人。嫁一户有钱有地位的体面人家，就成了一个年轻小姐得到并保持可靠社会与经济地位的理想途径。尤其是那些“一般财产不多，教养有素的青年女子，都是把结婚当作惟一一条未雨绸缪的体面出路，不管如何心中无数，幸福难卜，结婚成家都是她们最可心合意的避风港，预防她们以后不致缺衣少食。”因此，要赢得一位理想的丈夫似乎就是奥斯汀小说中那些年轻小姐们的人生惟一目标，而她们为达到这一目标不断地进行着有形无形的激烈竞争。奥斯汀的小说都是围绕着乡绅贵族绅士淑女的恋爱求婚、男婚女嫁的错综复杂的情节来展开的。作者通过这些情节，用细腻的笔触深刻剖析作品中人物的心理，展示他们的道德品质，表现作者关于人生、特别是婚姻的道德观。她批判当时大多数联姻的方式，而且她小说中的大多数婚姻都是有缺陷的。但她同时通过她的
故事告诉读者，理想的婚姻是可能的。这种理想婚姻的主要品质，除了女方花容月貌天生丽质、男方英俊潇洒一表人才之外，就是彼此了解，情投意合，心心相印，自由平等，互敬互惠，它将对彼此的炽烈爱情融合在稳定融洽、相互促进的家庭关系之中，所以她小说的所有女主人公都是为真正的爱情而结婚，而不是为终身有靠而草草苟合。
她通过《傲慢与偏见》中贝内特小姐的口说：“没有爱情千万不要结婚。”她批判那种惟利是图的金钱婚姻，但她并不把金钱与爱情绝对分开，而且显示金钱在确立稳固的理想婚姻中起着决定性的作用。正如《傲慢与偏见》开宗明义的第一句话所幽默指出的：“一个家财万贯的单身汉，必定需要一位太太，这是一条举世公认的真理。”奥斯汀在《傲慢与偏见》这部小说里最仔细审慎地剖析描述了绅士淑女恋爱求婚的全过程，并全面透彻地说明了她所谓的理想婚姻的各种基础。 奥斯汀在《傲慢与偏见》中主要写了四桩婚姻，这四条线在小说中错综复杂地交织在一起，“误会”百出，冲突迭起，疑窦丛生，时而扑朔迷离，时而山穷水尽，时而峰回路转，时而柳暗花明。加上作者那种幽默客观的描述、富于喜剧色彩的反讽手法，真叫人忍俊不禁，一旦开卷，就无法释手。无怪乎《傲慢与偏见》一直被认为是奥斯汀小说中最令人开怀大笑和最引入入胜的一部。奥斯汀在研究她所处的社会时，明显地表现出对当时社会的不满，正如她通过伊丽莎白的口所说的：“世事经历得越多，我就越发对这个世界不满。世人都是反复无常的，那种表面的优点或见识是很不可靠的。日复一日，我的这种信念更加坚定。”于是她就拿起反讽和喜剧这两种有力的艺术武器来批判那些不合理的传统道德观念和乡绅贵族阶层的保守人物，揭露他们的虚伪，嘲弄他们的愚蠢。正如她所说的：“我承认，愚蠢的行为、荒谬的事情、异想天开的古怪念头、前后矛盾的言行，都使我觉得好笑，只要有可能，我就要嘲笑它们。”她在《傲慢与偏见》中正是这样做的，而且取得了极大的成功。正如奥康瑙尔所说，奥斯汀是位“最杰出的道德家，她总是通过小说来教育读者，而且她教导的方式是谨慎而周到的”。她在小说中从不说教，而总是寓教于讽，寓教于乐，让读者从作品那些滑稽可笑人物的自相矛盾、荒谬可笑的言谈举止和适得其反的行为中得到乐趣与启迪。
我相信，广大的读者已经认定《傲慢与偏见》是奥斯汀的杰作，我认为他们的评价是很中肯的。使一部作品成为经典名著的，不是评论家们的交口赞誉、教授们的阐述研究、用作学校里的教科书，而是使一代又一代的众多读者在阅读这部作品中得到的愉悦，受到启迪，深受教益。我个人认为，《傲慢与偏见》总体来说，是所有小说中最令人满意的一部作品。
天津师范大学文学院
2010级汉语言文学
傲慢与偏见英文解析范文第2篇
The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.
The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession.
people always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs. After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man.
I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that
money and possession determined everything, including marriage and love in her century.
In “pride and prejudice”, the sister of Mr. Bingley strongly opposed his plan of marrying Jane because the Bennets don’t have many possessions and their social positions are much lower than them. From this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband. The society, the relatives would not allow them to get married.
In modern society, although the marriages of economic needs have decreased rapidly, the concept of “money determines everything” is still rooted in some people’s mind. A lot of parents try hard to interfere their children’s marriages. Education background, possessions, jobs remains the main reason that may influence one’s marriage. Marry for money is still a big problem in our society. We can’t help thinking: can money determine everything?
Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems. Although Austen was only 21 when she wrote “pride and prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics. I think the depth of pride and prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.
傲慢与偏见英文读后感
The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession. people always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs.
After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man. I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. (读后感
) Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that money and possession determined everything, including marriage and love in her century. In “pride and prejudice”, the sister of Mr. Bingley strongly opposed his plan of marrying Jane because the Bennets don’t have many possessions and their social positions are much lower than them. From this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband.
傲慢与偏见英文解析范文第3篇
The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.
The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession.
people always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs. After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man.
I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that
money and possession determined everything, including marriage and love in her century.
In “pride and prejudice”, the sister of Mr. Bingley strongly opposed his plan of marrying Jane because the Bennets don’t have many possessions and their social positions are much lower than them. From this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband. The society, the relatives would not allow them to get married.
In modern society, although the marriages of economic needs have decreased rapidly, the concept of “money determines everything” is still rooted in some people’s mind. A lot of parents try hard to interfere their children’s marriages. Education background, possessions, jobs remains the main reason that may influence one’s marriage. Marry for money is still a big problem in our society. We can’t help thinking: can money determine everything?
Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems. Although Austen was only 21 when she wrote “pride and prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics. I think the depth of pride and prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.
傲慢与偏见英文读后感
The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession. people always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs.
After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man. I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. (读后感
) Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that money and possession determined everything, including marriage and love in her century. In “pride and prejudice”, the sister of Mr. Bingley strongly opposed his plan of marrying Jane because the Bennets don’t have many possessions and their social positions are much lower than them. From this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband.
傲慢与偏见英文解析范文第4篇
As we all know, Pride and Prejudice is a love story as well as an illustration of the society in Britain in the 18th century. It is a representative work of Jane Auston. When I first read this book, the first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”.Even now, the famous sentence is always the first thing that come up to my mind when I talk about the fiction. I have learnt about “family” “love” “marriage” and “life” from Jane’s story.
In this story, all characters have their own personalities. Mrs. Bonnet is crazy about marrying off her daughters. Mr. Bingley is a very kind and friendly young man. But his friend Darcy, (the hero of the story), is a very proud man so that he is rejected by Elizabeth at the beginning. Even the five daughters in Bonnet family are very different. Jane is simple, innocent and never speaks evil of others. Elizabeth, (the heroine of the fiction), Bonnet’s second daughter, is an active and intelligent girl who always has her own opinion and has not been affected by the formal education. Mary likes reading classic books. And actually she is a pedant. Kitty doesn’t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate.
The first marriage is between Charlotte and Collins. Charlotte is the neighbor of Lizzy Bonnet. Their marriage is superficial without love. The second and part is the marriage of Lydia and Wickham. Wickham is originally a good guy but he gets into debt because of his bad behavior. In his view, love is not very important, it can be created after marriage. Finally, their marriage is doomed to be a tragedy as Wickham just wants to get money from Bonnet family. The third couple is the oldest daughter and Mr. Bingley. They are the ideal couple in people’s eyes and lead a happy life at last although there is a misunderstanding between them at the beginning. The last marriage is the main theme throughout the fiction. That is Elizabeth and Darcy’s marriage. First Elizabeth rejects Darcy because she doesn’t like him even despises him because she thinks Darcy is not a gentleman who has high social status. After a long run, Darcy has got rid of all his bad habits and finally, Elizabeth is moved by him. In the end, she agrees to marry him and they have happy family lives.
傲慢与偏见英文解析范文第5篇
与天使同在 词：李文贤 曲：闻震 . 昨天明天和永远 丝毫没差别 即使偶尔反省过 转身就忘却 善说谎的蛇 常引诱你到旷野 你软弱胆怯退缩 呼求我
我存在你的过去 存在你的未来 就算是天地爱去 我的爱不腐坏 我了解你的喜乐 感受你的悲哀 每刻都与你同在 从来不曾离开 光明黑暗的界限
无非一眨眼
荒漠甘泉 唯有爱付出无条件 善说谎的蛇 常引诱你到旷野
你软弱胆怯退缩 呼求我
我存在你的过去 存在你的未来 就算是天地爱去 我的爱不腐坏 我了解你的喜乐 感受你的悲哀 每刻都与你同在 从来不曾离开 我存在你的过去 存在你的未来 就算是天地爱去 我的爱不腐坏 我了解你的喜乐 感受你的悲哀
每刻都与你同在 从来不曾离开
国色天香 词：孙铁麟
曲：袁惟仁，陈彤 编：袁惟仁
女：月初升 伶人上妆 我描眉 凤冠配霓裳 水袖轻舞长歌似酒香 长歌似酒香
夜未央 胡琴声扬 弦温热 人聚月倚墙 一阕曲弹出多少真相
国色天香
男：满堂红 名角登场 我整装 铠甲配银枪 十八般武艺威风亮相
云漫天 搏风击浪 战鼓擂 喊声震天响 刀光剑影里荡气回肠
说唱：情不知所起 一往而深牡丹亭
将中显英豪 斩关夺寨定军山 一去人难见 芳草天涯桃花扇 单骑冲重围 剑光如霜长坂坡 女：情不知所起 一往而深牡丹亭
一去人难见 芳草天涯桃花扇
是谁说落幕就是散场 我却忍不住一直思量 是谁说旧戏文已泛黄 我却当作是国色天香 合：是谁说落幕就是散场 我却忍不住一直思量 是谁说旧戏文已泛黄 我却当作是国色天香 我却当作是国色天香
铁血丹心
依稀往梦似曾见 心内波澜现 抛开世事断愁怨 相伴到天边
逐草四方沙漠苍茫 哪惧雪霜扑面 射雕引弓塞外奔驰 笑傲此生无厌倦 应知爱意似流水 斩不断理还乱
身经百劫也在心间 恩义两难断
逐草四方沙漠苍茫 哪惧雪霜扑面 射雕引弓塞外奔驰 笑傲此生无厌倦 应知爱意似流水 斩不断理还乱
身经百劫也在心间 恩义两难断身经百劫也在心间 恩义两难断
昭君出塞
泪湿衣襟 别斜阳里 关山月 一声横笛 闻叹息 风不停歇 沙无边际 望长安 故国千里 归无计
山水一程 风雪一身 匆匆马蹄 夜点千帐灯 琵琶声声 谁悲泣 秋意浓 雁归程 愿常相忆 休问 是否有恨 无绝期
逐梦令-李玉刚 作词：方文山 作曲：周杰伦
檀香引 窗花透 窗棂 暗夜临 剪纸忆 剪影 我参透 斑白了 发鬓 故事嶙峋 心不平 曰命
如意轻 屏风静 冷清 北风行 古道遗 孤亭 今生繁华 杳然空井 风尘爱恨无根浮萍 风化虚名我归隐
逐梦令 浮生半醒 谁薄命 叹倾城盛名 我微醺 面北思君 等天明 憔悴入铜镜
檀香引 窗花透 窗棂 暗夜临 剪纸忆 剪影 我参透 斑白了 发鬓 故事嶙峋 心不平 曰命
峨眉颦 愁为邻 缘尽 我子夜 泪满襟 不信 伊人重情秋色入林 奈何因缘如叶飘零 而我仓皇前世寻
逐梦令 浮生半醒 谁聆听我心事入琴 弦外音 拨乱曾经 丝竹轻 却重重 伤心
逐梦令 浮生半醒 谁薄命 叹倾城盛名 我微醺 面北思君 等天明 憔悴入铜镜
逐梦令 浮生半醒 谁聆听我心事入琴 弦外音 拨乱曾经 丝竹轻 却重重 伤心
雨花石
作词：胡力 作曲：胡力
雨儿轻轻飘 心儿似火烧 那是谁的泪 在脸上轻轻绕 石对雨的爱 就像蓝的海 虽有万千语 不知怎么去表白 嗨 你在哪儿 嗨 我看不见
我是一颗小小的石头 深深的埋在泥土之中 你的影子已看不清
我还在寻觅当初你的笑容
我是一颗小小的石头 深深的埋在泥土之中 千年以后繁华落幕
我还在风雨之中为你等候 我还在土中为你守候 石对雨的爱 就像蓝的海 虽有万千语 不知怎么去表白 嗨 你在哪儿 嗨 我看不见
我是一颗小小的石头 深深的埋在泥土之中 你的影子已看不清
我还在寻觅当初你的笑容 我是一颗小小的石头 深深的埋在泥土之中 千年以后繁华落幕
我还在风雨之中为你等候 我还在土中为你守候
我是一颗小小的石头 深深的埋在泥土之中 千年以后繁华落幕
我还在风雨之中为你等候 我还在雨(土)中为你等候
新贵妃醉酒 词曲:胡力
那一年的雪花飘落梅花开枝头那一年的华清池旁留下太多愁不要说谁是谁非感情错与对
只想梦里与你一起再醉一回 金雀钗玉搔头是你给我的礼物 霓裳羽衣曲几番轮回为你歌舞 剑门关是你对我深深的思念 马嵬坡下愿为真爱魂断红颜 爱恨就在一瞬间 举杯对月情似天 爱恨两茫茫 问君何时恋 菊花台倒影明月 谁知吾爱心中寒 醉在君王怀 梦回大唐爱 陛下在来一杯吧
金雀钗玉搔头是你给我的礼物 霓裳羽衣曲几番轮回为你歌舞 剑门关是你对我深深的思念 马嵬坡下愿为真爱魂断红颜 爱恨就在一瞬间 举杯对月情似天 爱恨两茫茫 问君何时恋 菊花台倒影明月 谁知吾爱心中寒 醉在君王怀 梦回大唐爱 爱恨就在一瞬间 举杯对月情似天 爱恨两茫茫 问君何时恋 菊花台倒影明月 谁知吾爱心中寒 醉在君王怀 梦回大唐爱
梨花颂
梨花开 春带雨 梨花落 春入泥 此生只为一人去
道他君王情也痴 情也痴 天生丽质难自弃 天生丽质难自弃 长恨一曲千古迷 长恨一曲千古思
梨花开 春带雨 梨花落 春入泥 此生只为一人去
道他君王情也痴 情也痴
南飞雁
词:陈明顺 胡力 曲:胡力
有情人多羡慕鸳鸯飞 可我却想把你来追随 悠悠的岁月慢慢回味 有你有我还能有谁
虽然只有平淡的滋味 也不怕那雨打和风吹 两个人的爱相依相偎 不是行同陌路分飞
心在北风里挣扎俳徊 苦苦地寻找爱的滋味 今生难后悔 不要那体会 只想跟雁一起向南飞 今生难后悔 不要那体会 只想跟雁一起向南飞
虽然只有平淡的滋味 也不怕那雨打和风吹 两个人的爱相依相偎 不是行同陌路分飞
心在北风里挣扎俳徊 苦苦地寻找爱的滋味 今生难后悔 不要那体会 只想跟雁一起向南飞
在梦里痴痴的想结尾 那泪滴伤了我的心扉 醉上千百回 醒后还落泪 只想跟雁一起向南飞 醉上千百回 醒后还落泪 只想跟雁一起向南飞
李玉刚清明上河图 作词:高进 作曲:高进
我俯身看去 那一帘秋雨 落下的水滴 却悄无声息
雕刻在石碑上的印记 是否隐藏着秘密 在你的眼神中 我看到了情丝万缕
古巷的忧郁 写下琵琶的旋律 飘逸的外衣 街上叫卖的小曲 仿佛隔空变换到那里 一切模糊又清晰 几秒钟的世界 感叹不平凡的意义
绫罗飘起遮住日落西 奏一回断肠的古曲 抬起画面如此的美丽 孰不知是谁的墨笔 淡淡胭脂遮住了思绪 小酌几杯却有醉意
多少能人将相 书画三千里上河图雕琢的意义
古巷的忧郁
写下琵琶的旋律 飘逸的外衣 街上叫卖的小曲 仿佛隔空变换到那里 一切模糊又清晰 几秒钟的世界 感叹不平凡的意义
绫罗飘起遮住日落西 奏一回断肠的古曲 抬起画面如此的美丽 孰不知是谁的墨笔 淡淡胭脂遮住了思绪 小酌几杯却有醉意
多少能人将相 书画三千里上河图雕琢的意义 绫罗飘起遮住日落西 奏一回断肠的古曲 抬起画面如此的美丽 孰不知是谁的墨笔 淡淡胭脂遮住了思绪 小酌几杯却有醉意
多少能人将相 书画三千里上河图雕琢的意义
镜花水月--李玉刚 作词:胡力 作曲:胡力 编曲:杨一博
镜照佳人 花无眠 水映残月 月无颜 风吹花 枝儿摆 月儿走 心却留
镜中的花为谁红 水中的月为谁颜 月影落下百合窗 花儿凋落为谁伤 问你酒醉几时休 花儿开满了枝头 水中倒影人消瘦 残月早蹬岳阳楼
镜照佳人 花无眠 水映残月 月无颜 风吹花 枝儿摆 月儿走 心却留
镜中的花为谁红 水中的月为谁颜 月影落下百合窗 花儿凋落为谁伤 问你酒醉几时休 花儿开满了枝头 水中倒影人消瘦 残月早蹬岳阳楼 镜中的花为谁红 水中的月为谁颜 月影落下百合窗 花儿凋落为谁伤 问你酒醉几时休 花儿开满了枝头 水中倒影人消瘦 残月早蹬岳阳楼 残月早蹬岳阳楼
李玉刚秋月
词曲:杨西城
秋已至 天转凉 鸿雁下斜阳 思雨竹 更惆怅 请君莫忘添衣裳 红花谢 叶子黄 天籁声铿锵
桂树茂 菊花香 邀君对酒明月朗 思雨竹 更惆怅 请君莫忘添衣裳 桂树茂 菊花香 邀君对酒明月朗 红花谢 叶子黄 天籁声铿锵 桂树茂 菊花香 邀君对酒明月朗 思雨竹 更惆怅 请君莫忘添衣裳 桂树茂 菊花香 邀君对酒明月朗 思雨竹 更惆怅 请君莫忘添衣裳 桂树茂 菊花香 邀君对酒明月朗
于是探戈(live版)梦回春秋
悠然千年 一回首 世外桃源 城中留 百家兴旺 一壶酒 烽火不再 燃城头
魂牵梦醒 寻春秋 花开花落 水东流 多少烟云 锁重楼 如今风景 全看透
山城寻国 山水柔 梦回春秋 故地重游 恰逢盛世 情封喉
(独白)：梦回春秋 淹城独秀
魂牵梦醒 寻春秋 花开花落 水东流 多少烟云 锁重楼 如今风景 全看透
梦回春秋 探古寻幽 山城寻国 山水柔 梦回春秋 故地重游 恰逢盛世 情封喉
梦回春秋 千古风流 岁月流芳 爱不朽 梦回春秋 故地重游 人间奇葩 淹城独秀
人间奇葩 淹城独秀
美人 词曲：娄刚毅
蝴蝶在花间飞舞 仿佛那水墨一幅
我已是醉眼朦胧 不知身在何处 三杯两盏淡酒 染红了你的脸 双眸流辉风情万种 却将琴弦轻抚
纵舍千顷良田广厦万间 我且不顾
只想你的芳心有个角落 是我的归宿
任那世间沧桑繁华荒芜 我且不顾
只愿与你化身鸳鸯蝴蝶 共日出日暮
风乍起 吹动一池春水 心似涟漪 情丝为谁泛起 花正妍 弄花香满衣 情如花期 怎锁浓浓春意
蝴蝶在花间飞舞 仿佛那水墨一幅
我已是醉眼朦胧 不知身在何处 三杯两盏淡酒 染红了你的脸 双眸流辉风情万种 却将琴弦轻抚
心似涟漪 情丝为谁泛起 花正妍 弄花香满衣 情如花期 怎锁浓浓春意 风乍起 吹动一池春水 心似涟漪 情丝为谁泛起 花正妍 弄花香满衣 情如花期 怎锁浓浓春意 情如花期 怎锁浓浓春意
归去来兮
作曲:栾 凯
久阻归期忆别离 时闻漏转思乡起 我问归期是何年
青山无言水无语
秋风不解相思意 我将心事寄琼花 风吹花落碾成泥
以身许国去 一别千万里 如今归来兮 着我旧时衣 浣纱于清溪 情丝千万缕 万丈红尘中 我心只有你
如今归来兮 回我旧时居 愿携君子手 同乘一扁舟 从此天地宽 白头不相离
云淡风轻看今昔 伴花随柳揽明月 天长地久长相依
李玉刚天池 作词:梁俊睿 胡力 作曲:胡力
如果不是 丽质天生 你也不会 一尘不染 如果不是 千锤百炼 你也没有 不朽容颜 一转眼千万年 舞袖天地间 看日月星移转 不变的是桑田
天池之水天上来 玉镜悬在彩云间 山色空蒙水潋滟 就把天池作瑶台 一转眼千万年 舞袖天地间 看日月星移转 不变的是桑田
天池之水天上来 玉镜悬在彩云间 山色空蒙水潋滟 就把天池作瑶台 天池之水天上来 画里瑶池落人间 清秀如醉的容颜 倾国倾城倾满天
李玉刚 - 梦青衣
词曲:张小罕
梦里听见一个声音 陌生又熟悉
仿佛在我耳边诉说他的曾经 眼前映出一个身影
慢慢的靠近
放肆的带走我的心
那女子容色绝美 回眸一笑生百媚 我柔肠百结如醉 只沉迷在她的香味 你是谁家芳闺 难为这人间精粹 恍惚此意境昔日 沉醉与你鹊桥相会 情似水 兰熏沁人心肺 我多想与你相随 愿与子执手相看泪 蝶相追 紧相随 唯恐梦醒爱成灰 长袖挥 如流水
这歌声余音绕梁百转千回
梨花飘 画中娇 此女本应天上仙 面如玉 花如颜 不知为谁落人间 梦里听见一个声音 陌生又熟悉
仿佛在我耳边诉说他的曾经眼前映出一个身影 慢慢的靠近
放肆的带走我的心
梨花飘 画中娇 此女本应天上仙 面如玉 花如颜 不知为谁落人间 天生丽质美窈窕 君子好逑竞相邀 回眸一笑百媚生 犹记心头梦魂消
似水流年-李玉刚 人艳花香。 玉似娇娘， 刚好模样。 人间风雨， 岁月人凉。 倾国倾爱，
美玉流芳。
他年他月她又在何方， 她山她水他不在身旁。 一曲相思明月照故乡， 似水流年春来春水长。
他年他月她又在何方， 她山她水他不在身旁。 一曲相思明月照故乡， 似水流年春来春水长。
岁月绕人凉。 倾国难倾爱， 美玉永流芳。 美玉永流芳。
月光
词曲：郝松
月光那么亮那么冰凉 脸庞那么美那么忧伤 来时路那么远那么幽长 离开了那么痛那么凄惘 静静地静静地望着那天上远远地远远地飘来一缕香默默地默默地许下那愿望明天的家园 无比芬芳
月光那么亮那么冰凉 脸庞那么美那么忧伤 来时路那么远那么幽长 离开了那么痛那么凄惘 静静地静静地望着那天上远远地远远地飘来一缕香默默地默默地许下那愿望明天的家园 无比芬芳
月亮啊月亮啊请告诉我 哪里啊哪里啊是我家乡 月亮啊月亮啊请告诉我 心上的人 心中的家园 会变成什么模样
日日红上海 词：知错
曲：好妹妹乐队 . 花落后 春无踪 只剩下欢愉在梦中 有情人儿又分别
总是那人生长恨水长东 徘徊中 思量中 这人生匆匆如秋风 有情人儿几时回
依旧那伤心枕上雨三更 路漫漫 夜朦朦 耳畔还是你的叮咛 有情人儿几时回
只教我欲寄相思梦不成 徘徊中 思量中 这人生匆匆如秋风 有情人儿几时回
依旧那伤心枕上雨三更 路漫漫 夜朦朦 耳畔还是你的叮咛 有情人儿几时回
只叫我欲寄相思梦不成 路漫漫 夜朦朦 耳畔还是你的叮咛 有情人儿几时回
只叫我欲寄相思梦不成 花落后 春无踪 只剩下欢愉在梦中 有情人儿又分别
总是那人生长恨水长东 总是那人生长恨水长东
菊花台
作词：方文山 作曲：周杰伦
你的泪光柔弱中带伤 惨白的月弯弯勾住过往 夜太漫长凝结成了霜 是谁在阁楼上冰冷地绝望
雨轻轻弹朱红色的窗 我一生在纸上被风吹乱 梦在远方化成一缕香 随风飘散你的模样
菊花残满地伤
菊花残满地伤 菊花残满地伤 你的笑容已泛黄 你的笑容已泛黄 你的笑容已泛黄
花落人断肠 我心事静静淌
北风乱夜未央 你的影子剪不断
徒留我孤单在湖面成双
花已向晚飘落了灿烂 凋谢的世道上命运不堪 愁莫渡江秋心拆两半 怕你上不了岸一辈子摇晃
谁的江山马蹄声狂乱 我一身的戎装呼啸沧桑 天微微亮你轻声地叹 一夜惆怅如此委婉
葬心
作词：姚若龙 小虫 作曲：小虫
蝴蝶儿飞去 心亦不在 凄清长夜谁来 拭泪满腮 是贪点儿依赖 贪一点儿爱 旧缘该了难了 换满心哀 怎受的住 这头猜那边怪 怎受的住 这头猜那边怪 人言汇成愁海 辛酸难捱 人言汇成愁海 辛酸难捱 天给的苦 给的灾都不怪 天给的苦 给的灾都不怪 千不该万不该 芳华怕孤单 千不该万不该 芳华怕孤单
林花儿谢了 连心也埋 他日春燕归来 身何在
小苹果
作词：王太利 作曲：王太利演唱：筷子兄弟
我种下一颗种子
终于长出了果实 今天是个伟大日子 摘下星星送给你 拽下月亮送给你 让太阳每天为你升起
变成蜡烛燃烧自己 只为照亮你
把我一切都献给你 只要你欢喜
你让我每个明天都 变得有意义
生命虽短爱你永远 不离不弃
你是我的小呀小苹果儿 怎么爱你都不嫌多
红红的小脸儿温暖我的心窝 点亮我生命的火 火火火火 你是我的小呀小苹果儿 就像天边最美的云朵 春天又来到了花开满山坡 种下希望就会收获
从不觉得你讨厌 你的一切都喜欢 有你的每天都新鲜 有你阳光更灿烂 有你黑夜不黑暗 你是白云我是蓝天
春天和你漫步在盛开的 花丛间夏天夜晚陪你一起看 星星眨眼秋天黄昏与你徜徉在 金色麦田冬天雪花飞舞有你 更加温暖
你是我的小呀小苹果儿 怎么爱你都不嫌多