美国经典电影英文影评范文

2024-03-23

美国经典电影英文影评范文第1篇

Having seen this movie, I have learned a lot. First, some encouraging sentences were said by the teacher,Keating, for example,Carpe diem, seize the day, boys, make your lives extraordinary. Carpe diem is from Latin, which means seize the day. The reason why he said it was to encourage his beloved students to live a good and meaningful life for the tome being. Keating was the teacher who was absolutely different from the others in Welton Academy, the “best prep school in America”. In my eyes, he was just like the light lightening the road of his students to their future. At the same time, Keating’s passion for poetry inspired some of his students to set up a secret club. He said:“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering — these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love — these are what we stay alive for.”

What is more, Keating brought a new idea where students can be accepted as an individuals. He asked students to march differently, just according their own willing, and he opened the boys’ to their numb acceptance of conformity , and get them think about the endless possibilities in the later life. And there was a scene in the movie, Todd was a shy boy, and he could not demonstrate himself in the class. With his encouragement, Todd became less frightened and more at ease expressing himself in front of his classmates. And meanwhile, he gradually spoke out immediately what he has in his mind without being afraid of becoming others’ laughing stock. It was not only Todd’s success, but also was Keating’s.

Second impressed a lot was Todd’s story. His parents sent him a study board as the birthday gift, the same birthday gift as last year. His parents wanted to use the gift to remind him that he should always study hard to improve himself and not put up with their expectations. They never know Todd did not like the gift at all, which drove him in a depression because he thought his parents never cared about him. He was terribly burdened by his parents’ expectations. And with the Neil’s encouragement, he threw the study board, which indicated that he would get rid of those so-called burden and truly be himself.

In the end, what touched me most was the Neil’s death. Neil was mad at acting because he thought it could allow him to express himself openly and sincerely , to experience a kind of different life. While his father did not allow him to take acting as a career. And later, he felt he totally lost the control of his own life. He was forced to leave Welton and to give up his beloved acting career. And he had to take up one course he did not show interest in. And, he committed suicide. Was his father to be blame? Was the academy to be blame? May be yes, may be no.

美国经典电影英文影评范文第2篇

In addition to Ben’s hesitation and his wandering, what impressed me most in this film was Elaine’s innocence. The appearance of Elaine made a great difference to Ben. This girl was in the same age with Ben, but she was the one who knew Ben’s trouble and his confusion. What is more, she had her own unique thought, which gave Ben hope and to some extent, helped Ben out of the trouble. Maybe it was the true love for Ben, this lonely guy. Now that , it was the first time for Ben to have a taste of that kind of rare feeling, which brought the ending reasonably that he pursued this love at any price and at last he had a chance to have his voice heard and to fight for his own happiness.

As a matter of fact, Elaine’s innocence and understanding were the right things to attract Ben, for she had her certain goals and she was satisfied with her present situation. In other words, it means if we think Ben was in the darkness, while Elaine was in the brightness. The difference between Ben and Elaine was apparent. And gradually, she saved Ben on the basis of her purity and fulfillment of life. And in the end, they got together.

While in this film, in my opinion, Mrs. Robinson was the poorest character . She was not old enough, and even we can say that it was her marriage that made her unhappy, which led to her tragedy. She seduce Ben who was much younger than her. She could not get love from her old husband, and she might as well get on well with even keep pace with her young daughter. Her daughter had her own thought, and there was a generation gap between Mrs. Robinson and Elaine. Mrs. Robinson was the symbol of her generation when most of them only knew how to enjoy, while her daughter stood for her generation, during that time many of them what they wanted to do and gained something by themselves. And that was absolutely different.

美国经典电影英文影评范文第3篇

——《美国往事》影评

引子

世事皆无完美,电影亦然。如果只选一部趋近于完美的电影,以我粗陋的观影量和品味来说,我选《美国往事》。虽然它没有在奥斯卡、欧洲三大电影节上收获炫耀的大奖,imdb的排行也不算显眼,故事与技巧也没有如何惊世骇俗。

但《美国往事》是一部与众不同的电影,它的五味杂陈的人生况味,散文诗般的抒情意境,恍如隔世的叙述视角,意味深长的人物设置,让它在20多年后的今天依然散发出历久弥香的光彩,那是一种淡黄色的光晕,柔软而鲜亮。

一、五味杂陈的人生况味

有人说过,《美国往事》里有全部的人生,这是最简洁也最准确的影评。人生的美好不在于美好本身,而是在美好与丑恶的混杂中,人们经历过,体会过。

恶在每个人的心里与身边。面条(Noodles)在抢劫钻石时对卡萝(Carol)恶毒的强暴,找不到任何为他开脱的理由,在那一刻邪恶占据了面条的灵魂。迈克斯阴毒地害死自己的兄弟独吞财产,只是人性肮脏的明证。

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善亦如此。当面条怀里的多米尼克(Dominic)说出“我滑倒了”后死去,年少的面条不顾警察的到来刺死凶手,这是兄弟情义的指引,也是他善良本性的必然。卡萝是一个不折不扣的荡妇,却对迈克斯付出了至情。

复杂的人原本就没有本性上的好坏,如果强要区分,只能是无法改变的现实,亦或命运。迈克斯最后的忏悔不能抹煞他穷凶极恶的一生;多米尼克丧失了幼小的生命,却成就了电影中最光辉的人性。在影片的结尾,想以告密的方式去拯救兄弟的面条独自躺在鸦片店里开怀而笑,善与恶终于在人生的较量中相逢一笑,恶永远需要救赎,这救赎就是善。

二、散文诗般的抒情意境

在我看来,还没有一个导演敢像塞尔吉奥•莱昂内(Sergio Leone)一般将电影如此彻底的诗化,它超越了导演自身的“赏金三部曲”等“通心粉”西部片代表作,也有别于以《教父》和西科塞斯电影为代表的黑帮片的黄金套路。

影像的美轮美奂也映照了生活之美。当面条透过墙壁的砖缝看到黛博拉(Deborah)在悠扬的乐曲中翩翩起舞时,影片的光影柔和中泛出光亮,一个少年的灵魂的觉醒由此完成。而当单纯的派希(Patsy)拿着奶油蛋糕等待佩姬(Paggy),在性的萌动和美食的诱惑间,我们看到了一口口吃掉蛋糕的派希的纯真和我们自己的童年往事。

就连丑也在镜头与光影的流连中被导演赋予了宽容的色彩。当黛博拉拒绝了面条的求爱后,木讷的面条用最粗俗的方式毁灭了自己生命的梦想,汽车后座那场气氛逼仄的强暴与其说是对黛博拉的报复,不如说是面条的自暴自弃。

莱昂内的御用配乐大师莫里康内(Ennio Morricone)为影片注入了奇异曼妙的音乐。排箫、口琴、小号的运用令人惊艳,配合舒缓简约的旋律,让观者沉醉在20世纪初始、30、60三个年代的美国纽约街头的怀旧氛围中,用平缓的、克制的方式来张扬人性的律动与生命的浮沉,抒情意味缓缓流荡。

三、恍如隔世的叙述视角

《美国往事》的出色也表现在叙述方式的灵动上,插叙的诗化运用在这部影片中得到了完美的体现。在面条与一干兄弟的成长历程中,少年的稚涩、中年的

沦丧、晚年的木然浑然叠交在一起,生命的梦想与变异、失落与回归便在这交错中展现在观者的面前,让我们在时光穿梭中照见自己、恍如隔世。

就像让面条与迈克斯相识、相离的那只怀表,失而复得,得而复失,在时间的轮回里——现在是24时的几时?——物是人非。又如开篇长达几分钟的电话铃声,它也穿越了时空,连线到兄弟们被害的现场、面条身心俱疲的烟馆、少年时的兄弟相惜、老年时的欲说还休,最后,才落到面条善意地出卖消息给警察局长的电话上。

镜头的变幻也是一种意味的表达。当小兄弟们沉盐走私的试验成功时,水面上一片素净中带出一种朦胧的色彩,这种技巧很高的光影运用暗示了主人公们看似光明实则黑暗的未来。而当面条虔诚地在豪华酒店中约会黛博拉时,黛博拉选定的桌位的窗外正是冷色调的大海,也许在那一刻,等待面条的就注定是冷酷和无奈。

四、意味深长的人物设置

兄弟反目的故事并不新鲜,黑帮题材更是有《教父》珠玉在前,但《美国往事》的六兄弟中,面条与迈克斯的隐隐对立,派希与斜眼(Cockeye)的重情重义,还有肥摩(Fat Moe)与多米尼克的单纯赤诚,还是表现出超凡脱俗的戏剧张力。加上黛博拉、卡萝、佩姬三位各具性格特点的女人,这幕关乎人生与成长的电影才变得完整而可信。

罗伯特•德尼罗(Robert De Niro)在这部影片中的表现到达了他的职业生涯的顶峰,这么说不是否认他在《出租车司机》《愤怒的公牛》《好家伙》《猎鹿人》《盗火线》等电影中的伟大表演,而是在1983这个年份里,德尼罗的状态应该是他从影生涯中真正的高峰。

这一年的德尼罗正好40岁,对于一个演员来说,这是一个峰值。他拥有最好的经验、感受和状态,遇到一部《美国往事》这样的杰作,是一件相互成全的好事。他把面条中年的木讷与沦丧、老年的悲悯与坚持诠释得让人信服,很难想像换成别人还会不会让我们为这个十足的混蛋伤感唏嘘。

迈克斯谋害兄弟的阴鸷与内心所受的煎熬都在詹姆斯•伍兹(James Woods)那张刀刻般的脸上浮现出来。同样,黛博拉的虚荣与脆弱、肥摩的怯懦与忠诚、卡萝的放荡与真挚,都在演员们灵魂附体般的表演下生动异常。

不能忘怀的,当然是多米尼克那张宛如天使的面容和过目难忘的街头蹦跳,还有小派希一口一口吃下的奶油蛋糕。

结束

就像我们都无法看透复杂的人生一样,《美国往事》里也有太多的细节和感受只能是说的越多,遗漏的就更多。对这部影片的评论已经太多了——原本就是一幕关乎人的一生的故事,有谁能说尽一生呢——每一个人只是表达了掺杂着个人经历的感受与情绪。

美国经典电影英文影评范文第4篇

简.爱生存在一个父母双亡,寄人篱下的环境,从小就承受着与同龄人不一样的待遇,姨妈的嫌弃,表姐的蔑视,表哥的侮辱和毒

打......这是对一个孩子的尊严的无情践踏,但也许正是因为这一切,换回了简.爱无限的信心和坚强不屈的精神,一种可战胜的内在人格力量.Jane Eyre was in an orphaned environment and depended on others. She endured the different treatment comparing with the peers, such as the despite from the aunt、the contempt from sisters and the insult and beaten from brothers. But it may be the circumstance that give rise to her indomitable spirit and unlimited confidence which can be seen as the inherent strength of character.在罗切斯特的面前,她从不因为自己是一个地位低贱的家庭教师而感到自卑,反而认为他们是平等的.不应该因为她是仆人,而不能受到别人的尊重.也正因为她的正直,高尚,纯洁,心灵没有受到世俗社会的污染,使得罗切斯特为之震撼,并把她看作了一个可以和自己在精神上平等交谈的人,并且慢慢地深深爱上了她。

As a tutor, Jane never felt her status was inferior to Rochester just as her saying “I have as much soul as you-and full as much heart!”. She deserved others’ respect owing to the equality.

Precisely because of her integrity、nobility、purity in her inner mind, Rochester was stunned and slowly fell in love with her.When Jane knew the truth that Rochester had a wife, she chose to leave without hesitation. She wanted to stick to the acceptable principles in the moment of consciousness instead of insanity.他的真心,让她感动,她接受了他.而当他们结婚的那一天,简.爱知道了罗切斯特已有妻子时,她觉得自己必须要

离开,她这样讲,“我要遵从上帝颁发世人认可的法律,我要坚守住我在清醒时而不是像现在这样疯狂时所接受的原则”,“我要牢牢守住这个立场”。

Jane had lived up with the suffering of being deceived by the most trusted and intimated person. At the meanwhile, she still made a reasonable decision. Tempted by the glorious and rich life, she still upheld her dignity and departure, which embodies Jane’s spiritual charm.

这是简爱告诉罗切斯特她必须离开的理由,但是从内心讲,更深一层的东西是简爱意识到自己受到了欺骗,她的自尊心受到了戏弄,因为她深爱着罗切斯特,试问哪个女人能够承受得住被自己最信任,最亲密的人所欺骗呢?简爱承受住了,而且还做出了一个非常理性的决定.在这样一种非常强大的爱情力量包围之下,在美好,富裕的生活诱惑之下,她依然要坚持自己作为个人的尊严,这是简爱最具有精神魅力的地方。

Nevertheless when Rochester had nothing enviable, Jane returned to him. She didn’t need to balance between dignity and love any more, and she got both at this time.

电影设计了一个很光明的结尾--虽然罗切斯特的庄园毁了,他自己也成了一个残废,但我们看到,正是这样一个条件,使简爱不再在尊严与爱之间矛盾,而同时获得满足--她在和罗切斯特结婚的时候是有尊严的,同时也是有爱的。

电影告诉我们,人的最美好的生活是人的尊严加爱,小说的结局给女主人公安排的就是这样一种生活。虽然我觉得这样的结局过于完

美,甚至这种圆满本身标志着浮浅,但是我依然尊重作者对这种美好生活的理想--就是尊严加爱,毕竟在当今社会,要将人的价值=尊严+爱这道公式付之实现常常离不开金钱的帮助。人们都疯狂地似乎为了金钱和地位而淹没爱情。在穷与富之间选择富,在爱与不爱之间选择不爱。很少有人会像简这样为爱情为人格抛弃所有,而且义无反顾。《简爱》所展现给我们的正是一种化繁为简,是一种返朴归真,是一种追求全心付出的感觉,是一种不计得失的简化的感情,它犹如一杯冰水,净化每一个人的心灵! 我们被简爱的倔强的性格和独立的个性所感动。她已作为独立女性的经典。在阳光下,鲜花里应该有更多的简爱走出来,不管是平穷还是富有,不管是美貌还是相貌平庸,都能以独立的人格和坚强的个性生活。

美国经典电影英文影评范文第5篇

高超的3D技术呈现出逼真的飞流瀑布,漂浮云中的山峦,似含羞草的粉红植物,夜间发光的森林,似水母般在空气中游动的树种„„可以说是美丽的天堂。也许多少年前,在地球的某个甚至好几个角落都是这般模样的,只是经过千百年来的坎坷,都早已销声匿迹,如今的它只可能出现在人类的梦中,出现在电影院的大屏幕上,留在记忆的深处,引起人类无限的遐思。

人类士兵杰克与纳美公主奈特丽的感情一波三折,两个星球的冲突将两人的爱情卷入其中。爱情是灵魂支柱,超越种族,超越一切,点亮整个潘多拉星球,唤醒灵魂之树,通过所有生物的共同努力打败了人类。“一个人死了,必然另外一个和自己相同的人就会诞生,所以我们的精神永远不灭。”这不失为一段浪漫传奇的爱情故事,超越种族,超越空间,最终“有情人终成眷属”。期间的种种摩擦与误会,是两人爱情道路上遇到的障碍,正因为他们经得起种种磨难,才能成就这段美好的姻缘,得到了属于自己的幸福。从这个角度上说,这也是一部爱情片。

《阿凡达》在一定程度上影射了政治、文化、环保、种族、宗教等多方面的问题。人类对大自然的粗暴掠取,纳美人懂得生态保护和能量循环,文明和野蛮的颠覆与对比揭示了人类的丑陋,敲响了反思与展望的警钟。电影的情节基本上是北美大陆殖民史的折射,但结合希腊神话般的浪漫英雄主义,给故事美好的结局。对社会制度的辩证始终是欧美电影的一大特色,纳美部落围着篝火坐在一起的画面暗示平等,而地球人类的布景采用的却是方桌,可见纳美人的民主更加纯粹,更接近理想模型。不足的是故事有点老套,充满了其它电影的影子。

《阿凡达》其实是一封迟来500年的道歉信:“对不起,我们推倒了那么多树木,修建铁路;对不起,我们为了金矿,杀死了你的家人;对不起,我们被你们从风雪中拯救,刚刚暖和过来,就把利刃插入你的胸膛。”我们心里都清楚,为了娱乐你和我,电影硬生生的给了我们一个完美结局:这猎杀的游戏本就该在直升机坠落、女机师牺牲的那一刻结束——所有的反抗者都会死,生存下来的纳威人则永远也不能重拾他们的精神传统。再强劲的弓弩也不能射穿防弹玻璃,再伟大的猎手也无法召唤丛林巨兽,再幸运的原住民也不可能拥有手榴弹。《阿凡达》所运用的高超的3D虚拟现实的技术对目前的中国电影来说还是遥不可及的,从本质上说,是因为中国电影缺乏欧美电影所拥有的技术进步的原动力。在表现手法上,《阿凡达》从大事件上刻画个人英雄主义形象,突出男主人公杰克的英勇无畏,用火爆的场面,跌宕的情节来吸引观众的眼球,是比较超现实的,这不同于中国电影的刻画细腻,贴近生活,从小人物身上刻画真情实感来感动观众。欧美电影受限制少,比较注重与人内心的沟通,在乎肢体语言的表达,更倾向于人的本性,有创意,有深度,正是欧美大片卖座的原因所在。电影是梦的延伸,要有想象力,让观众看到想看的东西,在身心得到娱乐的同时,明

白其中所渗透的教育意义。中国电影在欧美电影面前不免相形见绌,深度不够高,甚至有点惑众取宠的味道,庞大的演员阵容,似乎只是纯粹的摆设,有时甚至反客为主,反而使故事本身被抛到一边;题材上还是摆脱不了历史背景和社会背景的束缚,尤其是古典名著的翻拍,更是“永不退色”的主流,其实有些历史电影有一部经典的就够了,毕竟是冷饭就不宜多炒。

阿凡达带给我们的不仅仅一场视觉盛宴,更提高了我们的精神升华,让我们体会到一种“纯洁”。影片中那威人对自己土地的保护和尊重坚持不懈,在他们眼中树木不单单是树木而是具有生命的同伴,土地也不单单是土地,而是和他们有着相同血液的亲人……...他们用最真诚的信仰和膜拜来守护着赖以生存的“母亲”,这份纯洁而真挚的感情让我重新接受了一次人性的洗礼,我完全被他们那种感情震撼了。

美国经典电影英文影评范文第6篇

影片《勇敢的心》是一部悲壮的、融合血泪传奇的史诗片,描述了苏格兰的民族英雄威廉姆·华莱士反抗英格兰暴政的英勇事迹。

影片开头,Main Title中悠扬的风笛声将观众带入了苏格兰高高的山岭之上,在青山绿水的环绕中,生活着朴实的苏格兰人民。然而忧郁的小提琴在没有低音衬托的空灵中,奏出了他们受到统治者压迫的不幸。四支圆号不祥的和声,暗示了统治力量的邪恶与黑暗。经过弦乐的过渡,独奏圆号忽然吹出带有升腾力量的旋律,这似乎是一种期盼,期盼英雄的诞生,来拯救他的民族;然而大提琴冷冷的对答,为这位英雄铺设了艰难的道路。整首Main Title无疑是影片的序曲,Wallace一生的奋斗历程,其实已经预告在了这首短小的曲子中了。[1] 故事发生在13世纪末至14世纪初,此时,英国国王爱德华一世想占领苏格兰领土,为了吸引更多的贵族和巩固自己的统治,爱德华授予贵族享有苏格兰少女的初夜权,这一点更加激怒了苏格兰人民的反抗意识。美伦也因此被贵族统治者杀害,这激起了威廉姆心中的怒火,他同其他几名同胞一起杀死了苏格兰驻地内的英军,这也预示着威廉姆为自由而战的生活的开始。威廉姆·华莱士受到苏格兰人民的拥戴,他也成为苏格兰人民心中的神。战斗有胜利也有失败。威廉姆最后被布鲁斯的父亲设的阴谋所害,刑场上,威廉姆忍受酷刑的痛苦,刑场下的人们都被他不屈不挠的精神震撼着。备受折磨的威廉姆用尽浑身力气,发出震天动地的呐喊-------Freedom!而不是乞求爱德华开恩。刽子手的斧头缓缓落下,威廉姆左手慢慢张开,美伦与他的定情方丝巾在空中缓缓飘落。音乐奏响,故事情节与音乐相结合,我心里感到非常难受,民族英雄生命结束了,同时在音乐中我感受到对英雄的传颂。

罗伯特布鲁斯在接受英国国王册封时,毅然领导苏格兰人民继续为争取自由而斗争。汉密斯将威廉姆的长剑抛出,长剑稳稳地扎在地上,也许这意味着自由必将实现。影片最后以苏格兰获得了自由而告终。

《勇敢的心》以13至14世纪宫廷政治为背景,以战场和宫廷两条线索展开叙事,以战争为核心,其中也穿插着浪漫的爱情故事。

本片开头,威廉姆的父亲在和英格兰人的战斗中牺牲后,威廉姆在梦中与父亲相见,父亲告诉他:“你的心是自由的,要有勇气追求自由。”我认为这奠定了整部影片中男主人公成人后为自由而战的生活历程的基调;美伦被杀害是他为自由而战的历程的开始,美伦是威廉姆在战斗中的精神动力,最突出的就是那块定情方巾,它不曾离开过他;刑场上,随着方丝巾徐徐飘落,威廉姆的战斗生涯也宣告结束。

威廉姆父亲的葬礼上,美伦送给他一朵紫蓟花,两个人双目对视着,没有任何语言,苏格兰风笛适时奏响,使人非常感动。同时,音乐中有不乏哀怨的情调,催人泪下。这个片段我看了一遍又一遍,每次看时心里都有不同的感受,我沉浸在影片中,感受着,体会着,领悟着。这音乐贯穿着美伦与威廉姆的每次约会中。在美伦的葬礼上,这音乐再次响起,痛惜、伤感、无法挽回等等情感一齐涌上心头,我完全融入其中,感觉自己就是威廉姆,面对死去的爱人束手无策。这音乐象征着威廉姆和美轮爱情的主题,既优美又哀怨,这个旋律冥冥中蕴涵着对自由的向往。音乐会令听者融入其中,久久不忘,不但不会忘,还会在记忆中时时浮现,萦绕于耳边和脑际,裹挟着当时的情景、画面和心情,甚至温度和气味,这就是音乐的魅力!

影片中,威廉姆的眼神是让我最难以忘怀的。当威廉姆成人后回到他的故乡,见到美伦时,他的眼中露出一丝暧昧,当然,与美伦在一起就是威廉姆最幸福的时刻,他的眼中充满着对美伦的深深的爱。战场上,威廉姆领导苏格兰同胞们一起反抗英格兰的统治与压迫,这时,他眼中充满了对英格兰统治者的憎恶与仇恨,同时,也流露出他对自由之战必胜的自信;当发现布鲁斯与英王勾结,背叛自己时,威廉姆眼中流露出无比的失望与无奈。刑场上,威

廉姆宁死不屈,眼中流露出为自由而战的坚定。记得影片中威廉姆问伊莎贝拉为什么屡次帮助他时,伊莎贝拉的回答是:“就是因为你看我的眼神”,也许伊莎贝拉的话语道出了许多人的心声。梅尔· 吉布森出色的表演,感染了许多人,包括我,深深地迷恋。

在本部影片中,另一位女主人公,伊莎贝拉,她是一位美丽、善良、充满正义的女人。不幸的是伊莎贝拉王妃是当时社会政治的牺牲品,为了两国和平,她嫁给了一个并不爱她的男人,懦弱无能的王子。她自己曾说:“爱?我不会懂的。”这时感觉伊莎贝拉太可怜了。直到遇上威廉姆,她真正体会到爱的真谛。

《勇敢的心》这部影片大部分是以这样的画面为封面:威廉姆·华莱士右手紧握长剑,象征着自由的长剑。威廉姆眼神中透露着坚毅、自信,背景是战火纷飞的战场,同时还有他和美伦拥抱的画面。这是一位民族英雄的真实写照。他有着超人的智慧,是一位出色的军事家;他也是一位普通人,具有七情六欲。我认为这个画面设计的非常好,能够全面深刻地展示本部影片的主题。在封面上写着这样一句话,发人深省:“Every man dies, not every man really lives.”这也是威廉姆坚定不变的信念。

雅斯贝尔斯曾说过:“哪里有相互独立的冲突的力量,哪里就有悲剧的发生,现实是分崩离析的,真理是破碎的。”用这句话来分析《勇敢的心》:虽然威廉姆的人生最后是一场悲剧,但他以超人的勇气和毅力与命运抗争,领导苏格兰人民反抗英格兰的殖民统治,为自由而战,这场战争必将取得胜利,自由属于每个苏格兰人。威廉姆的英雄事迹被传颂着,他的英雄气概被赞扬着,“威廉姆·华莱士”这个名字已成为一面旗帜,在苏格兰领土上空飘扬,引领苏格兰人民反对暴政,争取自由!

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